Tag Archives: intelligent design

The Tornado in the Junkyard – Aish HaTorah Employees Should Read This

This is all from Ebonmusing. It is a addressed to Creationists but essentially Aish HaTorah and Chabad, Kiruv.com and all the other outreach manufacturing plants practice a form of sophisticated Creationist voodoo.

In his 1983 book The Intelligent Universe, astronomer Fred Hoyle wrote the following infamous passage:

“A junkyard contains all the bits and pieces of a Boeing 747, dismembered and in disarray. A whirlwind happens to blow through the yard. What is the chance that after its passage a fully assembled 747, ready to fly, will be found standing there? So small as to be negligible, even if a tornado were to blow through enough junkyards to fill the whole Universe.” (p.19)

Though Hoyle actually intended this as an argument against abiogenesis, the creationists have since assimilated it and used it against evolution. In creationist literature, this argument has mutated into a diversity of forms: setting off an explosion in a print shop to produce a dictionary, disassembling a watch and shaking up the pieces in a box to reassemble it, and so on, building a bicycle by applying a blowtorch to a pile of bicycle parts, and so on. No matter what form the analogy takes, however, creationists have promoted it as a common-sense proof of the impossibility of evolution producing complex, highly ordered forms. There is even a creationist book titled Tornado in a Junkyard.

This essay will show that this analogy is not an accurate representation of how evolution (or, for that matter, abiogenesis) works. In fact, it is a straw man, a ridiculous caricature that bears no resemblance to what the theory actually says. However, it is first helpful to establish a few things about the credentials of its author. Fred Hoyle was an astronomer, and whatever the validity of his professional opinions on astronomy, he was not trained in biology, paleontology, genetics, or any other field having to do with evolution. He was no more qualified to make pronouncements about evolution than any layman, and indeed his comments demonstrate a profound misunderstanding of the theory. Nevertheless, whatever he was, he was certainly not a creationist.

“The creationist is a sham religious person who, curiously, has no true sense of religion. In the language of religion, it is the facts we observe in the world around us that must be seen to constitute the words of God. Documents, whether the Bible, Qur’an or those writings that held such force for Velikovsky, are only the words of men. To prefer the words of men to those of God is what one can mean by blasphemy. This, we think, is the instinctive point of view of most scientists who, curiously again, have a deeper understanding of the real nature of religion than have the many who delude themselves into a frenzied belief in the words, often the meaningless words, of men. Indeed, the lesser the meaning, the greater the frenzy, in something like inverse proportion.”
–Fred Hoyle and Chandra Wickramasinghe, Our Place in the Cosmos (1993), p.14

“We are inescapably the result of a long heritage of learning, adaptation, mutation and evolution, the product of a history which predates our birth as a biological species and stretches back over many thousand millennia…. Going further back, we share a common ancestry with our fellow primates; and going still further back, we share a common ancestry with all other living creatures and plants down to the simplest microbe. The further back we go, the greater the difference from external appearances and behavior patterns which we observe today…. Darwin’s theory, which is now accepted without dissent, is the cornerstone of modern biology. Our own links with the simplest forms of microbial life are well-nigh proven.”
–Fred Hoyle and Chandra Wickramasinghe, Lifecloud: The Origin of Life in the Universe (1978), p.15-16

We turn now to the tornado in the junkyard. This analogy says nothing about the validity of evolution, or for that matter abiogenesis, because it fails to represent them in four crucial ways.

1. It operates purely according to random chance.
2. It is an example of single-step, rather than cumulative, selection.
3. It is a saltationary jump – an end product entirely unlike the beginning product.
4. It has a target specified ahead of time.

The first point is the most important. The tornado in the junkyard is an example of an intricate, complex and highly organized form being produced by nothing more than random chance. But evolution is not chance. (See this article for more on this.) Rather, it operates according to a fixed law – the law of natural selection – which favors some assemblages over others; it preferentially selects for those adaptations which improve fitness and selects against those that do not. The tornado, by contrast, slams parts together and tears them apart with no preference whatsoever, thus completely failing to represent natural selection, the central force which drives evolution. To more accurately represent evolution, one would have to grant the tornado some power to recognize assemblages of parts which could serve as part of a 747 and prevent it from tearing them apart.

Second, the tornado analogy is an example of single-step selection – in one step, it goes from a random pile of parts to a fully assembled airliner. This is completely unlike evolution, which operates according to a process of cumulative selection – complex results that are built up gradually, in a repetitive process guided at each step by selective forces. To more accurately represent evolution, the tornado could be sent through the junkyard not once, but thousands or millions of times, at each step preserving chance assemblages of parts that could make up a jumbo jet.

Third, in relation to the point above, the tornado in the junkyard is an example of saltation – a sudden leap in which the end product is completely different from the beginning product. Evolution does not work this way; birds do not hatch out of dinosaur eggs and monkeys do not give birth to humans. Rather, species grow different over time through a process of slow change in which each new creature is only slightly different from its ancestor. Evolution forms a gradually shading continuum in which any two steps are almost identical, though the creatures at the beginning and end of the continuum may be very different indeed. If we sent a tornado through a junkyard once, we would not expect to see a complete airplane; but if we repeated the process thousands or millions of times, at each step preserving useful assemblages, we might see a jumbo jet gradually taking shape out of slowly accreting collections of parts. The idea is the same with living things. We do not see complex new creatures appearing suddenly in the fossil record; rather, we see them gradually forming by a process of modification from a line of increasingly dissimilar ancestors.

Finally, the tornado analogy fails to represent evolution in one more significant way: it has a target specified ahead of time. Evolution does not. Natural selection is not a forward-looking process; it cannot select for what may become useful in the future, only what is immediately useful in the present. To more accurately represent evolution, we might add the additional stipulation that the tornado be allowed to assemble, not just a jumbo jet, but any functional piece of machinery.

A tornado racing through a junkyard hundreds of thousands of times, at each step somehow preserving rather than tearing apart functional assemblages of parts, with the aim of ultimately producing some sort of working machine, be it a 747, a station wagon or a personal computer – this is still not a very good analogy to describe evolution, but it is far better than the implausible caricature of random, single-step saltation with a predetermined target the creationists put forth. This analogy completely fails to represent evolution in every significant way.

window horse

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Demystifying the Aish HaTorah Design Argument for the Existence of God – Teleological Claptrap

Why do rational people lie to themselves?

I am happy if you wish to read the original Aish HaTorah article on the Design Argument. I am equally happy if you don’t.

Imagine, if you will, that you are walking in a bad neighbourhood where the houses are neglected, there is a lack of education, and a lot of dangerous gangs. You suddenly come across two small stones in close proximity to each other. Most probably, you would think nothing of it unless you needed one of the stones for a particular purpose, perhaps to defend yourself from someone. Two stones randomly sitting beside each other is not such a big deal. No need to sweat it.

You continue your stroll through the neighbourhood and stumble upon three piles of human corpses piled up in a brick-layer fashion. Chances are you would quickly surmise that someone was here and arranged these bodies in this manner. It didn’t just happen. A shock for sure but still really no big deal and nothing to sweat about.

You continue your walk and happen to find a dead puffin lying in the middle of the road. Would you suspect that a windstorm somehow threw the puffin pieces together and randomly created a puffin?

Somebody gave birth to that puffin. It didn’t just happen. A creature implies a mother.

Alternatively, say you didn’t see a puffin at all but instead you came across a Patek Phillipe watch, say model 4907/ij. You will surely notice that it celebrates the 10-year triumph of the famous Twenty~4® collection. Patek Philippe was likely not involved in the design of this model directly and it was probably the work of many different people having different levels of expertise – certainly not just one designer! You already know, just by looking at the complexity of this watch that it had more than one designer to deal with the different aspects of functionality, colour and style. You would also know that there would be a marketing section of the Patek Phillipe company that would be on the look out for trends to determine what styles would likely do well with high end consumers. They would have also had an enormous impact on the look of this particular model.

By handling this watch and examining it you might then ponder as to whether it would work as an analogy for the design of the universe proving that God is One – an Indivisible Creator. You would realize that the watch proved nothing of the sort but rather it might “prove” that the universe – even if it could be analogous to a watch at all, and that is not likely – was designed by several gods, some involved with creating the suns, some determining which animals would exist (and which would uselessly become extinct), some involved with answering the petitions of Olympic curlers, and some designing the potato bug.

You would note that the universe bespeaks timeless elegance, the new model universe in yellow gold would be the first unset version without a diamond-set case. You would note that three color choices are available for the universe: “Night Glow” and “Autumn Brown” – two hues created especially for this yellow-gold universe – and, of course, the endearingly classic “Timeless White“. If you bought into the design argument you would expect to have a selection of universes to pick from perhaps.

Did the universe have a designer or group of designers that must have also been designed ad infinitum?

David Hume may I say is calling?

The intricacy of design in our world, when intoxicated, is staggering — infinitely more complex than a gang related pile of corpses in a bad neighbourhood, a puffin or a Patek Phillipe watch. Therefore the team of designers for the universe must have been considerable and who could have afforded to pay them all in this economy?

Now I am going to commence to use really large numbers to give you a sense of being a little out of control. Here goes: There are 10 billion nerve cells in the brain. Each of the 10 billion cells sprouts between 10,000 to 100,000 fibers to contact other nerve cells in the brain, creating approximately 1,000 million million connections, or, 10 to the 15th power. Are you shvitzing?

Here I come now with some really enormous numbers. Serious serious numbers. Behold! There are 10 billion nerve cells in the brain with approximately 1,000 million million connections.

It is hard to imagine the multitude that 1015 represents. On and on I go. Take half of the United States, which is 1 million square miles, and imagine it being covered by forest, with 10,000 trees per square mile. On each of the 10,000 trees, which are on each of the one million square miles, there are 100,000 leaves. That is a whizbang bulbous amount of leaves. I take it you are still with me and feeling the groove of the number thing I am doing to your head. You see sir, that’s how many connections are smashed inside your brain. And they’re not just haphazardly thrown together by an impostor God or a monkey washing a cat. They form an incredibly intricate network system that has no parallel in the military industrial complex or in the other brands of universes that have been designed by other manufacturers.

Imagine walking by that in the seedy neighbourhood! The natural response when perceiving design of such mind-boggling complexity is to conclude that there must be a huge team of busy, possibly amoral, designers, behind everything that created this model of universe. Not to mention the team of designers that created the team that designed the team that designed the universe that you may be wearing on your wrist right now.

To be continued…

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Bombardier Beetles and the Argument from Design

Creationism and the Bombardier Beetle

bombardier beetle design argumentCreationism believes that all life looks designed, and an often used example of this intelligent design is a creature known as the Bombardier Beetle. Defending this claim requires a careful examination of the bombardier beetle and of the definition of the word “design”. Under scrutiny, however, the bombardier beetle can be a proof of evolution and seriously challenges the design argument.

What Makes Bombardier Beetles Special?

Bombardier beetles are so-called ground beetles in the four groups Brachinini, Paussini, Ozaenini, and Metriini and comprise over 500 species. The group Brachinus is the most common group.

Bombardier beetles are amazing creatures. They are so called due to their ferocious ability to defend themselves against predators by shooting a mixture of scalding hot and toxic chemicals from glands in their behinds.

This is how their defensive squirting action works. Secreting cells produce hydroquinones and hydrogen peroxide which collect in a bladderlike vessel. This vessel is opened through a muscle-controlled sphincter onto a thick-walled reaction chamber. This chamber is lined with cells secreting catalases and peroxidases. As the contents of the bladder are forced into the reaction chamber, the catalases and peroxidases quickly break the hydrogen peroxide down and catalyze the oxidation of the hydroquinones into p-quinones. This releases free oxygen and generates sufficient heat to bring the mixture to the level of boiling which vaporizes a fifth of it. Under pressure of the released gasses, the sphincter is automatically shut which forces the chemicals through openings found in the abdomen.

Unfortunately, and making real debate and communication almost impossible, creationists offer an un faithful account of the process. The creationist Duane Gish made the claim that hydrogen peroxide and hydroquinones would explode spontaneously when mixed without a chemical inhibitor, and that the beetle starts with a mix of all three and adds an anti-inhibitor when he wants the explosion.

In reality, the two simply do not explode when mixed, as has been frequently demonstrated. Gish stubbornly still used the mistaken scenario after being corrected by Kofahl in 1978. Why let the truth get in the way of a good story? The same mistake is also repeated in books by Hitching in 1981, Huse in 1983 and 1993, and twice in a creationist magazine in 1990.

How strong is an argument of design if the people making it don’t know what the design looks like?

Irreducible Complexity: The Design Argument’s Best Buddy that Never Calls Back

Just knowing what something looks like doesn’t reveal whether it is designed; for that, we must define “design”.

Although it’s rarely defined, the most important aspect of design as it relates to creationism appears to be complexity. Richard Lumsden says,

Systems that are of high complexity, that is functionally integrated multicomponent systems, systems that are of high specificity where only one or very few of many possible arrangements of these components works, and systems which are of low probability, at least spontaneous occurrence . . . these are the hallmarks of purposefully designed engineered systems. [Lumsden, 1995]

The problem for proponents of intelligent design and the design argument is that the theory of evolution already allows that complex, functionally integrated, low-probability systems can arise via gradual variation and selection. Darwin’sntheory explains how a few photosensitive cells might evolve gradually into human eyes. In order for complexity to be a problem for the concept of evolution, it must demonstrate some property that rules out gradual development. Michael Behe proposes such a property with the concept he calls “irreducible complexity,” which he defines as “a single system composed of several well-matched, interacting parts that contribute to the basic function, wherein the removal of any one of the parts causes the system to effectively cease functioning.” Although Behe leaves open the questions of whether bombardier beetles are irreducibly complex, Gish expresses the concept with reference to them when he says, “How are you going to explain that step-by-step by evolution by natural selection? It cannot be done!”.

Gish is obviously not as right as he believes himself to be; a step-by-step evolution of the bombardier system is not hard to imagine.

In a future post I will show a potential step-by-step evolution of the bombardier beetle mechanism all the way from a primitive arthropod.

The Bombardier Beetles – Nothing is Real

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Suzy Poppins offers theatre of the brain – a head of her times

Most of you are already familiar with Suzy Poppins, famous for her work in repairing feather quill pens, teletype machines and princess phones. Poppins is a very busy girl and her company, Oblique Phalangeal Fractures, is growing at a pace congruent with the increased popularity of these three communication tools. Her dedication to the repair of these items is unquestioned among her peers in the industry.

Due to the extraordinary success of her organization, Poppins was recently honoured with an Outstanding Business Achievement Award from the Ontario Chamber of Commerce. Poppins is also proud to have been nominated for a Canadian Award for Excellence.

What is the secret of her success? It is her rock steady focus on these three areas rather than branching out into other growth industries such as the Underwood typewriter or the overnight success atmospheric steam engine. If you are over 25 then you will remember the Twitter fad of of the early 21st century. Where is Twitter now, for goodness sake? We all know what the teenagers are into these days. Princess phones, feather quill pens and teletype machines.

Suzy Poppins loves to give back to the community by offering to immigrants of British and Irish descent food, shelter and the self esteem that comes with having a low-paying job repairing feather quill pens. The immigrants have to provide their own tools and pay for their room and board as well as the purchase and laundering of their company uniforms.

Suzy Poppins is a great lover of all sorts of cheeses and enjoys sending her employees on unpaid errands to pick up the lists of cheeses that she provides them with. “I know that they love to please their employer,” said Ms. Poppins, “and it is my pleasure, my honour really, to provide them with the opportunity to please me in the faint hope that their living conditions or work position would improve.”

“Although they are not able to earn very much, and the living conditions that I provide them with are rather rustic,” said Ms. Poppins cautiously, “I know that any one of them could one day become the President of Canada if they have enough gumption and political and financial support. Bloody unlikely, but possible nonetheless.”

A Brief History of Barber Poles

A barber’s pole is a kind of sign barbers use, traditionally a pole with a helix of colored stripes (usually red, white, and blue). Suzy Poppins is an avid collector of old barber poles.

The origin of the barber pole is associated with the practice of bloodletting. During medieval times, barbers performed surgery on customers as well as tooth extractions. The original pole had a brass basin at the top (representing the vessel in which leeches were kept) and bottom (representing the basin which received the blood). The pole itself represents the staff that the patient gripped during the procedure to encourage blood flow.

The Development of Toilet Paper

Suzy Poppins uses toilet paper herself when appropriate and is an advocate for the use of this paper for its intended function amongst the members of her industry. As part of her charitable work she has retained Ronn Torossian, head of 5WPR and Aish Spokesanimal, to help her promote the use of toilet paper in western culture.

Poppins notes that, in earlier times, wealthy people wiped themselves with wool, lace or hemp, while less wealthy people used their hand when defecating into rivers, or cleaned themselves with various materials such as rags, wood shavings, leaves, grass, hay, stone, sand, moss, water, snow, maize, ferns, may apple plant husks, fruit skins, or seashells, and corn cobs, depending upon the country and weather conditions or social customs. In Ancient Rome, a sponge on a stick was commonly used, and, after usage, placed back in a bucket of saltwater.

The 16th century French satirical writer François Rabelais, in Chapter XIII of Book 1 of his novel-sequence Gargantua and Pantagruel, has his character Gargantua investigate a great number of ways of cleansing oneself after defecating. Gargantua dismisses the use of paper as ineffective, rhyming that: “Who his foul tail with paper wipes, Shall at his ballocks leave some chips.” (Sir Thomas Urquhart’s 1653 English translation). He concludes that “the neck of a goose, that is well downed” provides an optimum cleansing medium.

Goldstein Auto, Goldstein Subaru

Much is known about beaver dams and blastomycosis but little is known about Goldstein Auto and Goldstein Subaru. Is this because little is known about the Intelligent Design of these dealerships? Or is it rather a political effort to silence those who would promote these dealerships? The only thing that is known for sure is that many sites with these keywords are being indexed by search engine giant Ogle.

We will show the link between Suzy Poppins and Goldstein Auto in a later post, at such a time when we are motivated to.

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Bathroom Etiquette, Another Argument from Intelligent Design

From: [5WPR staffer]
To: “Email-Everyone”
Date: Mon, 21 May 2007 13:18:56 -0400
Subject: Bathroom – Last Warning
Whoever took a dump in the ladies room between this morning and now needs to go back in the bathroom to flush the toilet. In addition, the other stall has the flap on the tampon box open.

This is the absolute last time I’ll be asking the ladies in this office to have proper bathroom etiquette before we have locks installed in the bathroom and a sign in sheet for every time you use it.

I’ve got everyone on this e-mail copied, including Ronn [Torossian] and Adam because it’s beyond me why as professional women we don’t know how to keep the bathrooms in order for our colleagues, clients and potential new clients to use. How many times do I have to ask?

Again, this is the last warning.

Pick up after yourself, close the tampon box, wipe, clean and flush. If the toilet paper our hand soap runs out, please let Christine Garabedian know.

Thanks.

All the Best,

[5WPR staffer]

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I return to blog

I am much better and can now blog from the Saint Menachem Mendel Centre for Rehabilitation and Harlotry checkers and playing cards room which was donated by The Jerusalem Fund of Aish HaTorah and the Clarion Fund. According to Clarion Fund’s incorporation papers, it is based at the same address as Aish Hatorah. The three founders of The Clarion Fund are or were full-time employees of Aish HaTorah. Raphael Shore, the leader of The Clarion Fund is also a full-time employee of Aish HaTorah. The Clarion Fund has collaborated with pro-Israel media watch organization HonestReporting in the production of its films. HonestReporting originally was a project of Aish Hatorah. Scandal! Scandal!

Of course I appreciate the room as it is a good space in which to use my laptop with high speed internet. Everything happens by God’s design, his intelligent design including the number of references to Aish.com, Aish Hatorah, Clarion, Ronn Torossian, 5wpr and the ludicrous assumption that Aish is apolitical. I have no doubt that this was all predicted in the famous Bible Codes which are used to impress Jews and make them not want to hook up with non-Jews.

My legs are sore. They are so sore! I have been running around the Saint Menachem Mendel Centre for Rehabilitation and Harlotry like a crazy man because I want to be fit for Nurse Crystal, my new love.

I am working on a piece about the strategic marketing alliance that Chabad and Jews for Jesus are entering into. I am pleased that this is happening since they have so much to offer each other. This venture may include the new group Jews for Ed Sullivan.

That is all the content that I will provide for now. Let this be a Clarion call for Truth, Beauty, Honesty, and Lovingkindness.

Nurse Crystal gets dinner ready

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